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The following is a comprehensive index, sorted by title, of volumes 1 - 9 and volume 12 of the Journal of the Fantastic in the Arts. Volumes 10-11 and 13 will be indexed shortly.

Journal of the Fantastic in the Arts

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

 

#

"1920's Yellow Peril Science Fiction: Political Appropriations of the Asian Racial Alien.'" Carter F. Hanson. 6.4, 312-29.

A

"Abraham Rothberg's The Sword of the Golem: The Use of the Fantastic in Defense of Judaism." Peter G. Christensen. 7.2/3, 163-74.

"Adulthood's Beginning:  From Centered Oneness to Centerless Manyness in Greg Bear's Forge of God and Anvil of Stars."  Tim Wolf.  8.1,  78-98.

"The Alchemy of Love in A Fine and Private Place." Feimer, Joel N. 1.3, 69-78.

"All Those Big Machines: The Theme Science Fiction Does Not Discuss." 7.1, 83-91.

“Allegory Versus Bounce: Tolkien’s Smith of Wootton Major.” Verlyn Flieger and T. A. Shippey. 12.2, 186-200.

"Alternate Historians:  Newt, Kingers, Harry, and Me."  Tom Shippey.  8.1,  198-217.

"The Angel as Fantasy Figure in Classic and Contemporary Film." Marcelaine Wininger Rovano. 5.3, 58-74.

"Apocalyptic Horror."  Tina Pippin.  8.2,  198-217.

"The Art of Randy Elliot." Bob Gray. 3.2, 22-23.

“Arthur Schnitzler’s Traumnovelle and Stanley Kubrick’s Eyes Wide Shut: The Structure of Fantasy Then and Now.” Edith Borchardt. 12.1, 4-17.

"The Artifact as Icon in Science Fiction." Wolfe, Gary K. 1.1, 51-70.

"The Artisan in Modern Fantasy." Roger C. Schlobin. 6.4, 285-94.

"Arthur C. Clarke's Rendezvous with Rama: Agent of Evolution." Timothy C. Miller. 9.4: 82-92.

“Aspects of the Fantastic in Roddy Doyle’s A Star Called Henry: Deconstructing Romantic Nationalism.” Janis Dawson. 12.2, 168-85.

B

"Bakhtin's Chronotype and the Fantastic: Gautier's 'Jettatura' and 'Arria Marcella.'" Grant Crichfeld. 4.3, 25-39.

"Baptizing the Imagination:  The Fantastic as the Subversion of Fundamentalism."  Mara E. Donaldson.  8.2,  185-197

"Beagle and Ellison: A Special Issue." Wolfe, Gary K. 1.3, 3-6.

"Beowulf, Tolkien, and Epic Epiphanies." E. L. Risden. 9.3: 192-9.

 "Beyond the Bounds of Reverie?': Another Look at the Dreams in Frankenstein." Jonathan C. Glance. 7.4, 30-47.

"The Birth of a Fantastic World: C.S. Lewis's The Magician's Nephew." Manlove, C.N. 1.1, 71-84.

“Bodies in Cyberspace.” Brooks Landon. 12.2, 201-12.

"The Body of the Work of the Body: Physio-Textuality in Contemporary Horror." Michael J. Collins. 5.3, 28-35.

"But Who is Rose Cotton?--Love and Romance in The Lord of the Rings." Charles W. Nelson. 3.3, 6-20.

C

"Children of a Darker God: A Taxonomy of Deep Horror Fiction and Film and Their Mass Popularity." Schlobin, Roger. 1.1, 25-50.

“Circumcising Dracula.” Jeffrey Weinstock. 12.1, 90-102.

"The City From the Inside: Poe's Urban Fiction." Jules Zanger. 3.2, 29-36.

"Coda: Criticism in the Age of Borges." Latham, Robert. 1.4, 87-94.

"Coldtonguecoldhamcoldbeefpickledgherkinsaladfrenchrollscress-sandwidgespottedmeatgingerbeerlemonadesodawater....' Fantastic Foods in the Books of Kenneth Grahame, Jerome K. Jerome, H.E. Bates, and Other Bakers of the Fantasy England." Peter Hunt. 7.1, 5-22.

"Collage as Critique and Invention in the Fiction of William S. Burroughs and Kathy Acker." Rob Latham. 5.3, 46-57.

"Computer Fictions:  Narratives of the Machinic Phylum."  John Johnston.  8.4,  443-463.

"The Concept of the Divided Self in Harlan Ellison's I Have No Mouth and I Must Scream' and Shatterday.'" Joseph Francavilla. 6.2/3, 107-25.

"Confessions of the Unemployed" [poem]. Marilyn Jurich. 2.4, 6.

"Considering Fantasy in the Bible:  The Elusive Presence of the Unerasable Trace."  Conard Carroll.  8.2,  124-150.

"Contemporary Women Writers and the 'New Evil': The Vampires of Anee Rica and Suzy McKee Charnas." Maureen King. 5.3, 75-84.

"Courteous, Humble and Helpful: Sam as Squire Figure in the Lord of the Rings." Charles W. Nelson. 2.1, 53-63.

"The Craving for Meaning: Explicit Allegory in the Non Implicit Age." Roger C. Schlobin. 5.1, 3-12.

"Critics in the Gulag." Yoke, Carl B. 1.2, 3-4.

“Crowning the King: Harry Potter and the Construction of Authority.” Farah Mendlesohn. 12.3, 287-308.

"Cub Scouts Don't Have Heavy Artillery." Carl B. Yoke. 2.4, 2-5.

"The Cybernetic (City) State: Terminal Space Becomes Phenomenal." Scott Bukatman. 2.2, 43-63.

 

D

"Danger and Compulsion in The Wind in the Willows, or Toad and Hyde Together at Last."  Roger C. Schlobin.  8.1,  34-41.

"Daughters of Eurydice in Absentia: The Feminine Heroic Quest for Presence in Houskeeping." Lale Davidson. 4.4, 19-36.

"A Darwinian Eden: Science and Myth in Kurt Vonnegut's Galapagos." Leonard Mustazza. 3.12, 55-65.

"Decadence and Anguish: Edgar Allan Poe's Influence on Rjean Ducharme." Harger-Grinling, V.A., and A. Thomas. 1.2, 5-12.

"The Decentered Absolute: Significance in the Postmodern Fantastic." Malekin, Peter. 1.4, 9-18.

"Deconstructing Deconstruction: Chimeras of Form and Content in Samuel R. Delany." Schuyler, William M., Jr. 1.4, 67-76.

“Defining Irrealism: Scientific Development and Allegorical Possibility.” Dean Swinford. 12.1, 77-89.

"De/Reconstructing the "I": Postfantasticmodernist Poetry." Murphy, Patrick D. 1.4, 39-48.

"Desacralization of Image and Confusion of Sexuality in the Disney Studio's Beauty and the Beast." Martha A. Bartter. 9.1: 55-68.

"The Devil's Discourse:  The Meeting of Allegory and the Fantastic."  Virginia M. Marino.  8.3,  331-346.

"Dialogic Narration and Ambivalent Utopian Hope in Lessing's Shikasta and LeGuin's Always Coming Home." Carol Franko. 2.3, 23-33.

"Did You Know that Paul McCartney Had a Band Before Wings." Carl B. Yoke. 3.2, 2-4.

"Die Elixiere des Teufels: E. T. A. Hoffmann's House of Mirrors." Allienne R. Becker. 9.2: 117-30.

"The Disappointed Bridge:  Textual Hauntings in Joyce's Ulysses."  Jeffrey A. Weinstock.  8.3,  347-369.

"Disaster Fantasies: Byron as a Poet of the Fantastic." Mervyn Nicholson. 2.4, 110-132.

“Discovering the Machine in You: The Literary Social and Religious Implications of Neal Stephenson’s Snow Crash.” Daniel Grassian. 12.3, 250-67.

“Disorienting Encounters: Magical Realism and American Literature on the Vietnam War.” Steffen Hantke. 12.3, 268-86.

"The Door to Lilith's Cave: Memory and Imagination in Jane Yolen's Holocaust Novels." Ellen R. Weil. 5.2, 90-104.

"The Double and Doubling in Modern and Postmodern Art." Chris Hassold. 6.2/3, 253-74.

"Doubles and Doubling in the Arts." Gordon E.Slethaug. 6.2/3, 100-06.

"Dragonsaver: The Female Hero in Barbara Hambly's Dragonsbane." Patricia Monk. 4.4, 60-81.

"Dream Visions and Stream-of-Consciousness: The Conscious and Unconscious Search for Meaning." Evelyn Jaffe-Schreiber. 7.4, 4-15.

"'Dreaming Real': The Conquest of Psiberspace?" Andy Sawyer. 9.4: 16-20.

 "Dream Textures of the Popol Vuh." Louis O. Arata. 7.4, 74-83.

"Dreaming the Role:Acting and the Structure of Imagination." Craig Turner. 7.4, 16-29.

"Dualism and Miror Imagery in Anglo-Saxon Riddles." Gwendolyn A. Morgan. 5.1, 74-85.

 

E

"The Ecological System of Stephen King's The Dark Half." Edwin F. Casebeer. 6.2/3, 126-42.

"Encyclopedia Worth Waiting For." Rob Latham. 6.4, 360-65.

"Edge of Darkness as Transhuman Thriller." Joe Sanders. 5.4, 83-91.

"Editor's Foreword."  Carl B. Yoke.  8.1, 1.

"The Efrafran Hunt for Immortality in Watership Down." Charles A. Meyer. 6.1,71-87.

"The Ellison Personae: Author, Storyteller, Narrator." Weil, Ellen R. 1.3, 27-36.

"Erotic and Existential Paradoxes of the Golem: Marge Piercy's He, She, and It." Diane Sautter. 7.2/3, 255-64.

"Etymylogical Whimsy."  William A. Senior.  8.3,  279-280.

"Everything Slipping Away: John Wyndham's The Day of the Triffids." C.N. Manlove. 4.1, 29-53.

"The Exorcist: Deep Horror?" Robert F. Geary. 5.4, 55-63.

 

F

"F. Scott Fitzgerald's 'One Trip Abroad': A Metafantasy of the Divided Self." Marc Baldwin. 4.3, 69-78.

"'The Fairies' Christmas': Elements of the Fantastic in Irish Political Cartoons of the Home Rule Movement."  Joel A. Hollander.  8.1, 42-54.

"Family Magic: Invisibility in Jamaica Kincaid's Lucy." Patricia Harkins. 4.3, 53-68.

"Fantastic Illustrations to Dante's Inferno: Romantic and Contemporary Visions." Francine A. Koslow. 2.4, 133-143.

"The Fantastic in Holocaust Literature: Writing and Unwriting the Unbearable." Michael P. Yogev. 5.2, 32-48.

"Fantastic Tropes in The Folk of the Air." Riggs, Don. 1.3, 79-86.

"Fantasy's Reconstruction of Narrative Conventions." Attebury, Brian. 1.1, 85-98.

"Fantasy and Mimesis in Doctor Faustus." Sally A. Bartlett. 5.3, 18-27.

"The Female Hero in Science Fiction and Fantasy: 'Carrier-Bag' to 'No-Road.'" Sue Fisher Vaughn. 4.4, 82-96.

"The Feminine as Fantastic." Cris Hassold. 3.1, 29-40.

"The Feminist and the Vampire:  Constructing Postmodern Bodies."  Sylvia Kelso.  8.4,  472-487.

"The Femivore: An Unnamed Archetype." Roger Schlobin. 2.1, 89-97.

"Fictional Cultures in Postmodern Art." Joiner, Dorothy. 1.4, 59-66.

"Films, Film Fantasies, and Fantasies: ManipulatingReality and the Self in Kiss of the Spider Woman." Leonard G. Heldreth. 3.4, 93-106.

"Five Patterns of the Fantastic in an Arabic Saga." Hani Al-Raheb. 5.4, 42-55.

"Foreword: The Rumpelstiltskin Factor." Jane Yolen. 5.2, 11-13.

"The Fractured Whole: The Fictional World of Harlan Ellison." Malekin, Peter. 1.3, 21-26.

"Frankenstein Revisited: Doris Lessing's The Fifth Child." Norma Rowen. 2.3, 41-49.

"Fresh Approaches to Ninteenth Century SF." Carol McGuirk. 6.4,366-70

"From Golem to Plastisex: An Analytical Survey of Spanish American Fantastic Literature." Ksenija Bilbija. 7.2/3, 201-14.

"From Peter Rabbit to Watership Down: There and Back Again to the Arcadian Ideal." John Pennington. 3.2, 66-80.

 

G

"Game as Fantasy in Crucifixion Drama." Tanya Gardiner-Scott. 3.3, 50-61.

"Genetic Experimentation: Mad Scientists and the Beast." Faye J. Ringel. 2.1, 64-75.

"Gender, Fantasy, and the Authority of Tradition." Brian Attebery. 7.1, 51-60.

“Goddess on the Hearth: The Archetypal Significance of the Cat in Modern Fantasy.” Patricia Monk. 12.3, 309-21.

"The Goddess Restored." Victoria Sharpe. 9.1: 36-45.

"Golem and Robot: The Search for Connections." Norma Comrada. 7.2/3, 244-54.

"The Golem and the Garland of Letters in Borges and Broch." Evans Lansing Smith. 7.2/3, 177-90.

"Golem Frankenstein Golem of Your Own." Jane P. Davidson. 7.2/3, 228-43.

"The Golem on the Operatic Stage: Nature's Warning." Walter A. Strauss. 7.2/3, 191-200.

"'To goon on Pilgrimages': A Special Issue on Modern Fantasy and Medieval Literature." W.A. Senior. 3.3, 3-5.

"The Grotesque in the Early Works of Gregory Gillispie." Larry D. Lutschmansingh. 3.1, 41-56.

"Gyges's Ring: Invisibility in Plato, Tolkien, and Lope de Vega." Frederick A. de Armas. 3.4, 120-138.

 

H

"'The Halls of Waiting': Death and Afterlife in Middle Earth." Charles W. Nelson. 9.3: 200-11.

"The Harmony of Reality and Fantasy: The Fantastic in Irish Drama." Csilla Bertha. 4.3, 2-24.

"The Heart of Harry Angstrom: Dream Visions in Updike's Rabbit Tetralogy." Lawrence R. Broer. 7.4, 84-101.

"A Holocaust Education in Reverse: Stephen King's 'The Summer of Corruption: Apt Pupil.'" Leon Stein. 60-79.

"How Do You Get Into This Line of Work, Mister Buonarroti?" Carl B. Yoke. 3.4, 80-83.

“How Should A Science Fiction Story Begin?” Brian Stableford. 12.3, 322-37

"Humankind and Reality: Illusion and Self-Deception in Peter S. Beagle's Fiction." West, Richard C. 1.3, 47-54.

 

I

“‘If America Goes on Breeding Men Like That’: Dracula’s Quincey Morris Problematized.” James R. Simmons. 12.4, 425-36.

“Illuminating the Ghost Light: Final Acts in the Theater of Fritz Leiber.” Gerald Adair. 12.4, 362-81.

"In Search of the Not-One." Gwendolyn Morgan.

"In Search of Creative Solitude in Modern Fantasy: An Essay on the Fascination with Evil." 3.2, 5-13.

"Interpolation and Invisibility: From Herodotus to Cervantes's Don Quixote." Frederick A. DeArmas. 4.2, 8-28.

“Introduction: All Canons Blazing.” W.A. Senior. 12.4

"Introduction: Bereshit bara Elohim, A Survey of the Genesis and Evolution of the Golem." Maureen T. Krause. 7.2/3, 113-36.

"Introduction:  Fantasy and the Bible."  Tina Pippin & George Aichele.  8.2,  113-115.

"Introduction: Fantasy as Testimony" [Holocaust Issue]. Gary K. Wolfe. 5.2, 3-10.

"Introduction: Mirrror, Mirror on the Wall." Carl B. Yoke. 9.2: 87-92.

"Introduction: Of Goddesses." C. W. Sullivan III and Kathryn Fladenmuller. 9.1: 1-2.

"Introduction: On Conference Publications." W. A. Senior. 12.2.

"Introduction: On Language, With a Nod to William Safire." W. A. Senior. 12.3 .

"Introduction: On Psi Powers." H. L. Drake. 9.4: 4-15.

"Introduction: Solid Science.” W. A. Senior. 12.1.

"Introduction: Theories of/and Fantastic Literature."  Rob Latham.  8.4,  395-397.

"Introduction: The Tolkien Issue." William A. Senior. 9.3: 173-4.

"Isaiah:  Dreams and Nightmares, Fantasy and Horror."  Peter D. Miscall.  8.2,  151-169.
 

J

"The JFA Forum on SF Film." Brooks Landon, ed. Includes commentaries by: Vivian Sobchack, Howard Waldrop, Frank McConnell, Thomas Doherty, Lewis Shiner, Algis Budrys, K.C. d'Alessandro, Frederick Pohl, John Shirley, Dennis Lynch, Melba Joyce, George Zebrowski, Eric S. Rabin, Scott Bukatman, James Gunn, Ellen Draper, Rob Latham, George Slusser, Constance Penley, and Harlan Ellison. 2.2, 10-41.

"Journal of the Fantastic in the Arts." Tymn, Marshall B. 1.1, 3-4.

"Justinus Kerner's Seherin von Prevorst: A Parapsychological Psychodrama." Lee B. Jennings. 9.4: 49-58.

 

K

"Kafka's Sister." Brian W. Aldiss, 3.2, 14-21.

 

L

"The Last of the Just: Lifting Moloch to Heaven." Jules Zanger. 5.2, 49-59.

"The Legacy of Mack Reynolds." Curtis C. Smith. 5.4, 73-82.

"Lessing and the Sacred City." Lois A. Marchino. 2.3, 34-40.

"'Life is a Hideous Thing':  Primate-Geniture in H. P. Lovecraft's 'Arthur Jermyn'."  Bennet Lovett-Graff.  8.3, 370-389.

"Light and Space in the Open Air: James Turrell's Roden Crater Project." Craig Adcock. 3.1, 57-68.

“Little Red Riding Hood Meets the Werewolf: Genre and Gender Tensions in Neil Jordan’s The Company of Wolves.” Sara Martin. 12.1 18-33.

"Loving Death: The Meaning of Male Sexual Impotence in Vampire Literature." Lloyd Worley. 2.1, 25-36.

 "Lucifer:  a Fantastic Figure."  Judith Lee.  8.2,  218-234.
 
 

M

"Magical Realism:  The (R)evolution of Santeria and Hispanic Hagiography in Cuba."  Rafael Ocasio.  8.2,  235-243.

"Magic as an Alternative to Science." William M. Schuyler, Jr. 9.2: 157-65.

"Magic or Make-Believe? Acquiring the Conventions of Witches and Witchcraft." Greer Watson. 6.4, 341-59.

"The Magic(s) of Stephen Brust." Wayne A. Chandler. 9.2: 157-65.

"Margaret Atwood's The Handmaid's Tale: Echoes of Orwell." Earl Ingersoll. 5.4, 64-72.

"Medieval Dragon-lore in Middle Earth." Jonathan Evans. 9.3: 175-91.

"Medieval Literature and Modern Fantasy: Toward a Common Metaphysics." W.A. Senior. 3.3, 32-49.

"Men in Love:  The Fantasizing of Bram Stoker and Edvard Munch."  Suzanna Nyberg.  8.4,  488-502.

"Mervyn Peake: The Relativity of Perception." Gardiner-Scott, Tanya. 1.2, 13-24.

“Metafiction and the Gnostic Quest in The Man in the High Castle.” Howard Canaan. 12.4, 382-405.

"Metafiction in the Comics:  The Sensational She-Hulk."  Donald Palumbo.  8.3,  310-330.

"Michael Auerbach: Final Portraits." Dorothy Joiner. 1.1, 69-79.

"Michael Dorsey's Beauty Parlor Series: Historical Permanence." Paul Grootkerk. 3.1, 15-28.

"Middleton's The Witch: Witchcraft and the Domestic Female Hero." James R. Keller. 4.4, 37-59.

"Millhauser, Suskind, and the Postmodern Promise." Fowler, Douglas. 1.4, 77-86.

"The Mistaken Mistake: Permutations of the Golem Legend." Mike Pinsky. 7.2/3, 215-27.

“A Modern Instance: Magic, Imagination, and Power.” John Crowley 12.2, 147-156. Gerald M. Adair. 12.4, 364-81.

“The Monomyth and Chaos Theory: Perhaps We Should Believe in Magic.” Donald Palumbo. 12.1, 34-76.

"Morgan and the Morrighan." Nancy O. M. Dickson. 9.1: 24-35.

"Mothers, Monsters, Maturation: Female Evil in Beowulf." 4.1, 65-68.

"Muray Tinkleman: An Appreciation." Bob Gray. 2.2, 64.

"Myth and Anti-Myth in Angela Carter's The Passion of New Eve." Maria Aline Seabra Ferreira. 9.4: 31-49.

"The Mythology of the 'Ainulindale': Tolkien's Creation of Hope." Elizabeth A. Whittingham. 9.3: 212-28. 

N

"Native Sons: Regionalism in the Work of Nathaniel Hawthorne and Stephen King." Tony Magistrale. 2.1, 76-86.

"Nature's Nightmare: The Inner World of Hauptmann's Flagman Thiel." Crosby, Donald H. 1.2, 25-34.

"The New Age Mage: Merlin as Contemporary Occult Icon." Peter Goodrich. 5.1, 42-73.

"Nirvana for Sleaze-lovers" [book review]. Stephan Dziemianowicz. 2.2, 110-111.

"The Novel as Nightmare: Decentering the Self in Bram Stoker's Dracula." Matthew C. Brennan. 7.4, 48-59.

 

O

"On Visual Tropes as Expressions of the Psyche in Roman Polanski's The Tenant." J. Robert Craig. 9.2: 131-41.

"One More Time: The Conclusion of Alan Garner's The Owl Service." C. W. Sullivan III. 9.1: 46-54.

"Orr Else? The Protagonists of Le Guin's The Lathe of Heaven." Carl D. Malmgren. 9.4: 59-69.

"Our Ladies of Perpetual Hell: Witches and Fantastic Virgins in Margaret Atwood's Cat's Eye." Julie Brown. 4.3, 40-52.

"Overture: What Was Postmodernism?" Olsen, Lance. 1.4, 3-8.

 

 

P

"The Parsifal Influence in the Work of Jean Deville." Catherine Morris Westcott. 3.1, 5-14.

"The Passion of the Phallus and Angela Carter's The Passion of New Eve." Lenora Ledwon. 5.4, 26-41.

"Patristic Demonology and Lovecraft's 'From Beyond'."  Peter Dendle.  8.3,  281-293.

"'The Pattern that Connects':  Asymmetry, God, and Meaning in Russell Hoban's Pilgermann."  Gene Doty.  8.2,  116-123.

"Peake Studies." (Book Review). Brian Attebury. 3.4, 151-2.

"Peter Straub's Shadowland: The Initiation of a Magician." Edwin F. Casebeer. 9.2: 93-103.

 

"Phantasy and Deconstruction." Karen Michalson. 2.4, 95-108.

"Phoenix Rising: Like Dracula from the Grave." Carl B. Yoke. 2.1, 2-3.

"Pictures at an Exhibition." Bob Canino. 3.2, 4-8.

"The Play of the Critic." Howard Pearce. 6.4, 371-75.

"Playing with Power: The Science of Magic in Interactive Fantasy." Scott D. Vanderploeg and Kenneth Phillips. 9.2: 142-56.

 "'Plots Within Plots ... Patterns Within Patterns':  Chaos-Theory Concepts and Structures in Frank Herbert's Dune Novels."  Donald Palumbo.  8.1,  55-77.

"The Politics (If Any) of Fantasy." Brian Attebury. 4.1, 7-28.

"Poof! Now You See Me, Now You Don't." Carl B. Yoke. 4.2, 2-7.

"Postmodern Fantasy and Postmodern Biblical Studies:  A (Science) Fictive Review of Lance Olsen and Samuel Delany."  Fred. W. Burnett.  8.2,  244-274.

"Postmodern Narrative and the Limits of Fantasy." Olsen, Lance. 1.1, 99-110.

"The Powers of Dracula." Robert F. Geary. 4.1, 81-91.

"The Power of Myth and Rabbit Survival in Richard Adams's Watership Down." Charles A. Meyer. 3.4, 139-50.

"The Power of Symbols and the Failure of Virtue: Catholicism in Stephen King's Salem's Lot." Leonard Mustazza. 3.2, 55-65.

"Putting the Pieces Together: Information Theory, Neuromancer, and Science Fiction." Nicholas Ruddick. 3.4, 84-92.

"PSI and Technology in Science Fiction." Susan Stratton. 9.4: 70-81.

"Psychohistory and Chaos Theory: The `Foundation Trilogy' and the Fractal Structure of Asimov's Robot/Empire/Foundation Metaseries." Donald Palumbo. 7.1, 23-50.

"Putting a Red Nose on the Text: Play and Performance in the Postmodern Fantastic." Yarrow, Ralph. 1.4, 19-28.

 

Q, R

"Raising Arizona: Not Quite Ozzie and Harriet Meet the Biker from Hell." Joe Sanders. 6.2/3, 217-33.

"Rava's Golem." David M. Honigsberg. 7.2/3, 137-45.

"Reality, Fiction, and Wu in The Man in the High Castle." Jianjiong Zhu. 5.3, 36-45.

"The Realm of Revealing: The Technological Double in the Modern Science Fiction Film." J.P. Telotte. 6.2/3, 234-52.

"Recent Trends in the Contemporary American Fairy Tale." Jack Zipes. 5.1, 13-41.

"Rediscovery and Exploration: The Legend of Prince Madoc ap Owain Gwynedd." Robin Calfee-Moye. 5.3, 85-97.

"Religious Satire in Rushdie's Satanic Verses." Hani Al-Raheb.6.4, 330-40.

"Review Essay: Snobbery, Seasoned with Bile, Clute Is." Latham, Robert. 1.2: 83-94.

"Review: The Encyclopedia of Fantasy as a 'Critical Tour de Force.'" Rob Latham. 9.1: 69-76

"Review: Patrick Curry's Defending Middle Earth." T. A. Shippey. 9.3: 247-51.

"Review: Verlyn Flieger's A Question of Time." Richard C. West. 9.3: 247-51.

"Revisiting Doris Lessing: A Checklist for Critical Studies." Marshall Tymn, ed. 2.3, 50-62.

"'Revolutionizing Reality':  The Irish Fantastic."  Donald E. Morse.  8.1,  2-14.

"Rhetoric and Death in Thelma and Louise: Notes Toward a Logic of the Fantastic." David Metzger. 4.4, 9-18.

"Rings, Belts, and a Bird's Nest: Invisibility in German Literature." David B.Dickens. 4.2, 29-48.

"Rising Like Old Corpses: Stephen King and the Horrors of Time-Past." Leonard G. Heldreth. 2.1, 5-13.

 

S

"Saturnalia and Sanctuary: The Role of the Tale in Watership Down." John G. Peters. 6.1, 51-62.

"Schizoid Android:  Cybernetics and the Mid-Sixties Novels of Philip K. Dick."  N. Katherine Hayles.  8.4,  419-442.

"Science Fiction and Film Criticism." Andrew Gordon. 2.2, 81-94.

"'Seeing' Invisibility: Or Invisibility as Metaphor in Thomas Berger's Being Invisible." Edgar L. Chapman. 4.2, 65-93.

"Self-Referentiality in Gene Wolfe's 'Seven American Nights.'" George Aichele, Jr. 3.2, 37-47.

"Shamanism in a Threatened World: Doris Lessing's Briefing for a Descent into Hell." Nancy Corson Carter. 2.3, 5-13.

"Shamanistic Mythmaking: From Civilization to Wilderness in Watership Down." John Pennington. 6.1, 34-50.

"Shapeshifters and Skinwalkers:  The Writer's Curse of Negative Capability."  Dan Simmons.  8.4,  398-418.

"Shaping Self Through Spontaneous Oral Narration in Richard Adams' Watership Down." Kathleen Anderson. 6.1, 24-33.

"The shared universe: an experiment in speculative fiction." Patricia Monk. 2.4, 7-46.

"The Significance of Myth in Watership Down." Joan Bridgman. 6.1, 7-24.

"Slaying the Dragon Within: Andre Norton's Female Heroes." Carl B. Yoke. 4.3, 79-92.

“Snatching Victory from the Jaws of Defeat: Twenty Fractal Variations on a Theme in the Conclusions of Asimov’s Robot/Empire/Foundation Metaseries.” Donald Palumbo. 12.4, 406-16.

"The Speaking Dead in Sir Amadace and the White Kinght." Patricia Harkins. 3.3, 62-71.

"'Spells of Darkness': Invisibility in The White Witch of Rosehall." 4.2, 49-64.

"Stephen King's Fiction and the Legacy of Poe." Burton R. Pollin. 5.4, 2-25.

"Structural and Psychological Aspects of the Spider Woman Symbol in Kiss of the Spider Woman," Yin, Philippa B. 1.2, 65-82.

"Structural Complexity in Doris Lessing's Canopus Novels." Barbara Dixson. 2.3, 14-22.

"The Stuff That Dreams Are Made Of: Interpreting Dreams in Salman Rushdie's The Satanic Verses." 7.4, 60-73.

"The Survival of the Goddess in Marie de France and Marion Zimmer Bradley ." Don Riggs. 9.1: 15-23.

 

"Surviving the Survivor: Art Spiegelman's Maus." Joan Gordon. 5.2, 80-89.

"Symbolic Settings in Science Fiction: H.G. Wells, Ray Bradbury, and Harlan Ellison." Patrouch, Joe. 1.3, 37-46.

"The Symbolic Versus the Fantastic: The Example of an Hungarian Painter." Csilla Bertha. 6.4, 295-311.

 

T

"Tales of Old Prague: Of Ghettos, Passover, and the Blood Libel." Terri Frongia. 7.2/3, 146-62.

"Talking the Talk, Walking the Walk: The Role of Discourse in John Haldeman's 'The Monster' and Luucius Shepard's 'Delta Sly Honey.'" Tim Blackmore. 6.2/3, 191-202.

"Tanith Lee's Werewolves Within: Reversals of Gothic Tradition." Lillian M. Heldreth. 2.1, 15-23.

"Tepper's 'Chinanga':  A parable of Deconstruction."  Robert A. Collins.  8.4,  464-471.

"Theater for the Fin-du-Millenium : Playing (at) the End." Hollinger, Veronica. 1.4, 29-38.

"There's No Place Like Home: Simulating Postmodern America in The Wizard of Oz and Blue Velvet." Latham, Robert. 1.4, 49-58.

"J. R. R. Tolkien: The Monstrous in the Mirror." Daniel Timmons. 9.3: 229-46.

"Tolkien and the Telling of a Traditional Narrative." C. W.Sullivan III. 1, 7.75-82.

"Transvestites and Transformations, or Take it Off and Get real: Queneau's Zazie dans le metro," Struebig,. Patricia. 1.2, 49-64.

"The Trolls of Fiction: Ogres or Warm Fuzzies?" Jennifer Eastman Attebery. 7.1, 61-74.

"Two Forms of Metafantasy." Aichele, George, Jr. 1.3, 55-68.

 

U

"Up-to-date with a Vengeance:  Modern Monsters in Bram Stoker's Dracula and Margaret Oliphant's 'The Secret Chamber'."  David Sandner.  8.3,  294-309.

"Uses of the Fantastic in the Literature of the Holocaust." Judith B. Kerman. 5.2, 41-31.

 

V

"The Vampire" [poem]. Jim Doyle. 2.1, 4.

"The Vampire and/as the Alien." Veronica Hollinger. 5.3, 5-17.

"Variations on the Double Motif in Ventriloquist Films: The Great Gabbo, Dead of Night, and Magic." Leonard Heldreth. 3.2, 81-94.

"Video, Science Fiction, and the Cinema of Surveillance." Thomas Doherty. 2.2, 69-79.

 

W

"Was Zilla Right?: Fantasy and Truth." Aldiss, Brian W. 1.1, 7-24.

"Watership Down: A Genre Study." Robert Miltner. 6.1, 63-70

"'We All Go a Little Mad Sometimes, Haven't You?': Alterity and Self-Other Mirroring in Horror Film and Criticism." Frank Burke. 2.4, 74-94.

"'Weirdies' Point The Way" [book review]. Rob Latham. 2.2, 108-110.

“Where Theory Meets Science Fiction: The Conjoining of Traditional Fantasy with Theoretical Structures in Samuel R. Delany’s Neveryon Series, Or: The Tale of The Iron Ring.” Darren Danylyshen 12.2, 157-67.

"Who's Got the Goddess?" Verlyn Flieger. 9.1: 3-14.

“William Blake and the Personal Epic Fantastic.” E. L. Risden. 14.2, 417-24.

 "The Wind Took Your Answer Away." Ellison, Harlan. 1.3, 7-20.

"The Witch as Double: Feminist Doubles in German Literature and Irmtrand Morgner's Amanda." Barbara Mabee. 6.2/3, 166-90.

"Within A Circle of Silver." Carl B. Yoke. 4.1, 3-6.

"Wolves, Witches, and Werewolves." Jane P. Davidson. 2.4, 47-68.

"A Woman's A Two-Faced,' or the Doppelgangerin Unveiled." Marilyn Jurich. 6.2/3, 143-65.