by Taylor Stannard


    From the moment she learned her cancer had spread, Stella's dreams became increasingly muted; as the pain grew bolder, their edges softened and often when she awoke she could remember only the pale, watercolor taste they left in her mouth. She imagined feeling the color drain from them as they fluttered against the morphine membrane that cradled her. Finally, one blue August morning, the pain triumphed and her dreams stopped altogether. She grieved their loss more keenly than her missing right breast.

    A year later, on the night of her forty-sixth birthday she was summoned from sleep by a noise, the same small sound, she realized, that had permeated her empty sleep for weeks. Tonight, however, was the first time the sound had roused her completely. She lay still in the darkness and struggled to bring her mind into focus. It was raining lightly; could that have been the sound? No, it was more of a rustling than a pattering. She couldn't locate the source. She held her breath and strained to hear around Beth's breathing.

    Then, as suddenly as it began, it was gone. Her muscles unclenched. It wasn't a mechanical sound, nor was it animal. Or human. It was probably just the sound of her undreamed dreams coalescing into . . . what? A poem, maybe. Or a song. She liked the idea of her unknown dreams becoming musical notes and beckoning to each other. She imagined them arcing, dolphin-like, in playful sound waves. Like the graceful tendrils of whale song captured on a shipboard monitor, she thought. Dream song. She smiled and closed her eyes. It was best to enjoy such indulgences while she could, she knew; the pain would be back soon. Sure enough, there was the familiar gnawing. Her clarity stumbled and within moments she was back inside the overcast. She needed more morphine. She had to hurry, before she was so far inside the pain that she was no where at all. Her fingers fumbled for the button on the pain control pump. She found the small red knob, pressed, and smoothed it with her thumb in thanks.

    She was skimming the edges of sleep when it came again: an almost imperceptible fluttering, like the tiny, dry swishing of bird's wings. The morphine had done its job; she could think again. What was it? Instinctively her fingers sought the dent that had been her breast, where the malignancy had first taken root. The sound stopped.

    She wondered if the sound had awakened Beth, too. She shifted her head until Beth was in her line of vision. As if in answer, Beth turned, her hair a spill of dark on the pale pillowcase. A sadness had taken over Beth's face, even in sleep. Stella felt her heart contract. She reached to touch Beth's forehead, weighed the possibility of waking her, and wound a long strand of the deep auburn around her finger instead.

    Beth frowned. Her delicate, arched eyebrows bunched in worry and she murmured, "Stell?" In their twelve years together Beth had given as she had taken, with an uncomplicated depth and in equal measure. All that was changed now; she was giving all and receiving nothing, willing even to be robbed of sleep's freedom. Stella gathered her portion of the sheet into a nest and put one hand on, one under, the soft sphere of her remaining breast. She swayed as a breaker of fresh grief bore down on her.

    There was the silken shuffling, back again, nearer and a bit louder, almost recognizable this time. It seemed to emanate from the balcony off their bedroom.

    She leaned in that direction but it disappeared when she moved. She lay motionless and waited. Yes, there. It was a definite rustling, like the small, dry stirring of corn stalks in an autumn field.

    The blue clock numbers were flashing; it must have stormed. She tried to gauge the time; it was still night; no light squeezed under the drawn shades. She sniffed. The air had an early, leaden quality to it. It was maybe a little after midnight. One o'clock, even two, but certainly no later. The soft swishing began again.

    She was thirsty, then suddenly terribly, unbearably thirsty. The radiation treatments had left her scorched and hungry for moisture. She knew without having to check that the half inch of water in her bedside glass was sour, dank as flower water left too long in a vase. Sweat rings, dried to white on the dark wood, were magnified in the blue clock light. The inside of her mouth was chalk. She reached for the glass. As her fingers brushed the rim, the sound began again, but this time it was louder, and with it came a new persistence. The sense of urgency grew large as she listened. It began to shape itself into one voice, one cry, until she could no longer hear anything else. There was no mistaking its message: Come to the balcony. Alone.

    She glanced again at Beth. Her eyes were dream- flickering beneath creased lids; she was completely gone, oblivious to the sound. Maybe Beth was having her dreams, Stella thought ruefully. She wondered if she could still walk and if she could make it to the bathroom for water and then to the sound on the balcony before the pain came howling back.

    "I can do this," she said aloud. Such simple words, each only one syllable, but they emerged in a complicated garble and she wondered why she could hear them so clearly in her head. She was wasting time; she must obey, and quickly; the pain was on its way.

    She willed her legs over the side of the bed. She paused to catch her breath, then gave another heave and she was sitting. She wondered if she could stand. As if to spur her on, the sound began again. She lurched forward, grabbed the IV stand, heard the muffled slide of the bags and steadied herself. Then she was up and limping. She dragged the stand behind her, and concentrated on the bathroom door.

    The sink tile was sleek, and as cool as lake water. She waited as the tap water grew cold then colder and she drank greedily from cupped palms, one, two, three handfuls. She paused, hands in mid-air, when the sound came again. This time it did not stop when she moved. Suddenly she knew, as clearly as she knew that the pain was only a whisper away, that although it was summoning her to the balcony, the sound came from within her. It was her heart, hailing the approach of her death. It was time.

    She stared, stupid with shock, at the water dribbling between her fingers. This was the end. She had to let go. There were no angels, at least not the ones she had been taught to expect, no ethereal voices, no harps. There was just the rustling, like papery wings, and the sense of absolute certainty.

    She glanced back into the bedroom. Beth had rolled onto her back. Stella watched her breathe. Calm air in, healthy air out. She was a steady woman, Stella thought, and a steadying woman. Through it all, even the dangerous times, Beth had been her ballast. She was true, and as constant as an ocean tide. But there had been a price.

    In the early days, when they called it her "illness", and measured it in handfuls of hair rather than pain, they had hoped. There were the early, "The statistics are on your side," surgeries and Beth's steadfast assurances that Stella's suddenly single breast held just as much allure as the pair of them. "Yes, I'm sure. I'm positive. Aren't you? God, Stell, it's only a breast. The rest of you is perfectly perfect. Come on, you're as beautiful as ever."

    Stella knew she wasn't. Her eyes burned, feverish with fear and radiation. Her skin was sunken. She was no longer sure of anything except the progressively grim lab reports and Beth's frightening determination to remain optimistic. Six months later their shock gave way to desolation and Stella settled into a depression tinged with loneliness, unable to understand Beth's sudden retreat to a remote, inaccessible land somewhere within herself. "Why won't you help me? I need you to make it okay, Beth. Please, I can't do this anymore." Later she said simply, " Save me."

    "I can't," Beth said. "My heart is dying. It's killing me to watch you like this. I can't even save myself." The dark circles under Beth's eyes had become a permanent part of her cheeks. The pupils above them glittered like bright blue jewels. "I don't know what to do. I don't know what to say to make it okay again. I don't think I can stand it; nothing's ever hurt this much before."

    Stella watched Beth's frustration feed daily. It thickened into anger and then into full fury. She could feel its heat on her face as they lay, far apart, on the sweat soaked sheets. It singed her already parched skin.

    Fattened by fear, it turned bitter and began to stalk them. Beth's gestures, once so fluent, became jabs. She stabbed at the clutter of bedside bottles, the ice bags and the damp towels in a strangled knot on the rug. "Jesus, Stella, this used to be our bedroom. Now it's your dying room. No wonder; how can anything live in here? Look. For God's sake, just look!" She grabbed a vase from the clutter of listless plants that had been given to them by well- meaning friends. No matter how often she fed or watered them, they languished. "It's dying. Just like you. Just like us. And you know what? I don't give a shit anymore." She pitched the vase. It splintered against the wall. Potting soil rained on the carpet.

    "What about this one? And this? And this one, too, God damn it!" She reached for another, then another. Stella held her breath. The lilies smeared, their open throats pale on the gold brocade of the curtains.

    Beth's eyes glistened with unshed tears. She was panting in ragged sobs. "And you wanted me to save you. That's a laugh. Who do you think I am, God? I don't believe in God anymore. I don't believe in anything anymore. And you, Stell, you just lie there, stoned out of your mind. You're not even fighting it! You've given up. I'm the only one who cares anymore. This is crazy. I've got to get out of here before I start wanting to die, too." "What in hell do you want from me?" Stella's tongue was heavy; she struggled to form the words.

    "I want you to get well, God damn it! I want you to be whole; I hate the cancer and I hate you for getting it." "Go to hell," Stella said. The fury crackled between them like the flickering tongues of lightening. "Get out," she said. "It'll just get worse if you stay. Go on, get the hell out." She began to gag.

    Beth's face crumpled. "I can't," she whispered. That night she pressed her face to Stella's so their eyelashes touched and began to weep. "Please fight it," she said. "I need to see you try. Please. Promise me you'll try. Promise."

    That had been the worst pain of all, and the most expensive. But the anger was as cleansing as the explosion was swift, and slowly, against the odds, they managed to find their way back. With Hospice's help they learned to rage at the cancer's inexorable march instead of each other. It took longer to learn that the hating was part of the loving, and longer still to complete their goodbyes.

    Beth read her way out loud through the living room and bedroom bookshelves, stopping only when her voice was dust or when Stella fell into a fitful sleep. She sought out ramshackle corner groceries that stocked rennet tablets when, finally, watery custard was the only food Stella could manage, and she planted giant sunflowers in huge pots on the balcony so that Stella, starved for sun, could bathe in the light from their faces. They towered, tall sentinels, their raspy, overlapping leaves creating a rampart against the encroaching cancer. "They keep moving," Stella said. "See how they bend and follow the light."

    Each night she whispered the quotation she had chosen for the plaque on her memorial bench: `Life: it began in mystery and it will end in mystery, but what a savage and beautiful country lies in between!' For the last six months she had credited, then thanked it, for shoving them both out of denial and into a sweet, bitter grief. Yes, acceptance had come hard, but the leave-taking would be easier because of it. And now, tonight, she was empty except for the rustling, and she knew she was ready to surrender.

    She slid open the balcony door at the far end of the bedroom, stepped free of the sill and stretched her unencumbered arm to the rain. She caught it in her fingers and opened her mouth, let it stream into her. She shrugged out of her nightgown, tossed it on top of the IV stand and raised her breast so it could drink, too. Her hair swam and her distended ankles, even her arches, became buoyant. She felt full and light and, suddenly, completely peaceful. Her breast softened with the water's weight. It felt gentle, almost mossy, and the nipple was tender and strong as earth. There was no pain. She peeled back the adhesive tape that bound her to the IV and tugged the false umbilical cord from the back of her hand. She was free. She reached up, stroked the sunflower faces a gentle goodbye and turned back to the bedroom.

    The rustling surrounded her as she lowered herself onto the bed. She did not wake Beth. She lay quiet within her bell tower of sound. And then there it was, all at once: the final voice. It was tangled tree roots, clods of soil aching for seed and the ancient green of leaves. It was the cry of the earth.

    She watched, with great patience and no surprise, as her heart opened and a large, oval disc emerged. It grew round, then flattened until, carefully and so slowly, the head of a sunflower sprang from her. She heard the quiet rattling of seeds and the thin, now familiar whisperings of the leaves, her leaves, as they unfolded upward and out. One by one her petals unfurled, firm and golden.

    "Beth," she whispered, "look!", although she knew Beth couldn't hear. She pressed her legs together and felt hardy fibers. She looked down and saw that her feet had been replaced with sturdy roots. Soil clung to them. A long length of stalk ran between them and her new wide and open heart.

    The first streaks of daylight were inching bright around the window sill. She smiled, blew a kiss to Beth, turned her new face to the sun and softly died.


    Taylor Stannard is an Atlanta writer who has contributed portions of her novels-in-progress, Drilling For Gold, and The Stonepile Possum Queen to the annual Pinckneyville Readings. She teaches creative writing at the Pinckneyville Arts Center in Norcross, GA and is currently at work on a collection of theme-related short stories.